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<script src="http://scripts.chitika.net/eminimalls/amm.js" type="text/javascript"></script></div>';style="padding-bottom:8px;" align="center"<div class="chitika-adspace {%placement%}" style="padding-bottom:8px;" align="center">How to memorize this ii V7 I lick in 12 keys:
Just know that it starts on the tonic of the bebop scale you will be playing, or you can just think tonic of the key you are in on the ii V7 I Jazz lick. The lick goes up to the 3rd of the bebop scale you are currently on, then goes down the bebop scale until you land on the 5th. Next, you'll switch to a diminished stacked 3rd approach. In the above example it starts on C#.
What is a minor 3rd above C#? That's right, E. What is a minor 3rd below C#? That's right, Bb or A#, however you want to memorize it. Do you see the pattern here? The lick simply finishes off going down stacked minor thirds until you land on the tonic (1st position) of the I chord.
In my experience, some keys are easier than others. But this is a nice Jazz lick to have in your back pocket whenever you see the need for it.
Notice how Terence Blanchard uses a whole bunch of chromatic Jazz licks as his style of trumpet playing which is cool. Even though Terence Blanchard is jamming, he maintains his own unique style on the trumpet. He really doesn't use a whole lot of breaks though. Instead he goes hard core pretty much all the way until the end of his jam session Jazz solo.
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How to memorize this turnaround in 12 keys:
First know that it is a iii VI ii V7 I turnaround (3, 6, 2, 5, 1). In other words, it's a ii V7 up a whole step, then a ii V7 I pattern in the tonic key. Very easy to get used to and it used in a whole lot of Jazz charts. If you've already worked a lot on various ii V7 I patterns, this Jazz lick will be very easy for you to get down.
Here is my take on it in a snap shot, starts on the 5th of the iii chord and is a minor arpeggio to the 3rd of the VI chord, up to the b9 and down the scale to the minor 3rd of ii chord, then do a turn on the b7th to the 3rd of the V7 chord up to the b9 and down the scale to the III of the I chord.
You're obviously not going to think about all of this while playing the lick. You'll mainly just want to mess around with your ii V7 I Jazz patterns and you'll be able to come up with some really nice turnarounds on your own.
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